Film noir criminals are not always the notorious
gangster types. Frequently they are unremarkable personalities; working-class
stiffs who view themselves as unfairly condemned to society's oppressed
underbelly. Often they come to the erroneous conclusion that a heist of some kind
will provide a way out.
Herman
Tate (Don Beddoe, HOODLUM EMPIRE, THE NIGHT OF THE HUNTER) is the type of
noir character referenced above. In
the hope of securing the long-term attention of blonde bombshell Vera (Mary
Beth Hughes, INNER SANCTUM), the
milquetoast Tate devises a plan to pose as a bank examiner and rob a teller's
drawer of nearly $50,000. The man caught short is Mike Donovan (Barry
Sullivan), who not only must cope with being completely discredited, but also endure
the old-school approach of bulldog investigator Gus Slavin (Charles McGraw), a
cynical ex-cop determined to recover the missing funds so his bonding company
does not have to cover the national bank's loss. LOOPHOLE illustrates how quickly our lives can be turned upside
down, and how difficult it can be to make things right again.
Gus Slavin (Charles McGraw) is difficult to discourage in LOOPHOLE |
Forty-something at the time of filming, top-billed Sullivan (THE BAD AND THE BEAUTIFUL, CAUSE FOR ALARM!) cannot pass for a 35-year-old, but delivers an otherwise convincing performance in this "wrong man" noir film. Donovan's heart-of-gold wife is portrayed by Dorothy Malone, the book store babe from THE BIG SLEEP. The gravel-voiced McGraw (THE THREAT, SIDE STREET) is well-cast as the omnipresent force determined to make life hellish for Donovan. Slavin is a relic, a dirty badge iconic of a maturing noir movement. By the mid ‘50s, the investigator who had quit the police force in disgust was less moral and less reliable than he was depicted in the ‘40s. Slavin's instincts are dead wrong, and he is too stubborn to consider alternative viewpoints. This character anticipates similarly flawed protagonists who would emerge (and ultimately sink) in KISS ME DEADLY and TOUCH OF EVIL.
Directed
by Harold D. Schuster, LOOPHOLE is
set in LA and utilizes a fair amount of location footage. The flat compositions
of cinematographer William A. Sickner (KIDNAPPED,
CRY VENGEANCE) were the order of the
day at this point in noir history.
Screenwriter Warren Douglas (CRY
VENGEANCE, FINGER MAN) relies a
bit much on coincidence, but the end result is entertaining enough, even if the
film's title is never put to use.
The DVD available via
the Warner Archive is framed at 1.78:1 and looks good.
A film spoiled by clunky narration and dialogue, Dorothy McGuire's cloying performance (not her fault; it's that kind of role), an unlikely thief and an impossible villain, played with stubborn conviction by Charles McGraw.Despite the negatives, it manages to be engrossing, mainly because the hapless hero had to squirm (and plead "I didn't do it" multiple times) for at least half of the running time.
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